Verdi vs Wagner part 8, Great baritones: Sherrill Milnes!

Verdi vs Wagner part 8:

Verdi 200. Wagner 200.

Not it’s the turn to talk about one of the greatest American baritones of the Verdinian repertoire, Sherrill Milnes!

 

From 1965 until 1997,  Sherrill Milnes was associated with the Metropolitan Opera in New York.

Sherrill Milnes was one of the world’s prominent Verdi baritones of the 1970s and 1980s.

He has been a prolific recording artist, often in partnership with Plácido Domingo and Luciano Pavarotti.

 

 

 

 

 

 

 

 

 

When I first saw Sherrill Milnes as Count di Luna in Verdi’s “Il Trovatore” at the MET and I got very impressed with him! I started to follow his operatic career.

When Sherrill Milnes was young, he played piano, violin, viola, double bass, clarinet, and tuba.

Some interesting trivia: In September 1996 Sherrill Milnes was honored by the French government with the distinguished Chevalier de l’Ordre des Arts et des Lettres.

He made his final performance at the Met on March 22, 1997 in Aida. In 1998, Milnes published a memoir, American Aria.

 

 

We all admired Sherrill Milnes in many, different Verdi operas like:

Luisa Miller

Don Carlo

Ernani

Simon Boccanegra

Nabucco

Aida

Il Trovatore

La Forza del Destino

Macbeth

La Traviata

Rigoletto

Otello

Un ballo in Maschera

and

Falstaff.

 

Two great, fantastic baritones of the opera,  Dmitri Hvorostovsky and Sherrill Milnes!!!

 

 

 

Three greats of the opera, Marcello Giordani, Bryn Terfel and Sherrill Milnes!
One of the greatest baritones of history of opera! Sherrill Milnes!!!
Giuseppe Verdi would have been very, very proud of him!
Jacqueline
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